To bring out the unique feel of the various modes is one of the challenges of building a modal chord progression. Without taking care in selection , this part can become obscured. Now, lets look at Dorian and Phrygian. They are both minor modes. Both will use a Minor 7th as the tonic chord. For instance If we added lII chord into the mix, but played it as a plain triad, we would use the chord of C Major in both cases. So, we get an identical...
